Guest post by Jon Williams (synths, Excepter)
I was disheartened to learn of electronic composer Susumu Yokota’s passing this past spring after a long illness. Like Florian Fricke – another musician who passed too young – Yokota’s works frequently evoked pastoral landscapes. Acid Mt. Fuji, in particular, marries the metronomic stomp of Robert Hood with the shimmering pads of Popul Vuh. Yakota’s palette of sounds was always distinctly his own, extending beyond the traditional acid staples found in the Roland TR series to include hand drums and animal noises.
This summer I took the occasion of my first solo hiking trip to listen to Acid Mr. Fuji, letting the drums set the pace as I struggled up the slopes of the Appalachian Trail, passing down swamps rimmed in Rhododendron bushes.