[Mix for NTS Radio] Hosono Day

I’m very, very excited to share a two hour mix I made of Haruomi Hosono‘s work, which was a contribution to NTS Radio’s Hosono Day last weekend (here’s to hoping it becomes an annual tradition). As you might imagine, this was simultaneously a joy and a total nightmare to make, as Hosono has contributed to … Continue reading [Mix for NTS Radio] Hosono Day

Haruomi Hosono – 源氏物語 (The Tale of Genji), 1987

Another favorite from the Hosono canon. This was the score for the first animated adaptation of The Tale of Genji, a sprawling piece of 11th century literature written by noblewoman Shikibu Murasaki, considered by many to be the first modern novel in recorded history. (Isao Tomita later write his own symphonic adaptation of the story.) … Continue reading Haruomi Hosono – 源氏物語 (The Tale of Genji), 1987

Haruomi Hosono, Shigeru Suzuki & Tatsuro Yamashita – Pacific, 1978

A classic. While Hosono needs no introduction around here, I’m realizing that Tatsuro Yamashita has perhaps not been given enough air time. For the unfamiliar, Yamashita is iconic in his own right, not just because of his classic Japanese Christmas favorite “Christmas Eve” or his enormous output but also because of his signature early-80’s take on … Continue reading Haruomi Hosono, Shigeru Suzuki & Tatsuro Yamashita – Pacific, 1978

Haruomi Hosono – Mercuric Dance, 1985

A favorite. Not purely an ambient record, as there are a handful of more jittery, percussive tracks in the second half, but a good deal of this is, for me, ideal music to work to. Ringing, jewel-like washes of synth, but with a certain weight that similarly intentioned records seem to be lacking. The navy … Continue reading Haruomi Hosono – Mercuric Dance, 1985

Haruomi Hosono – Cochin Moon, 1978

The soundtrack to a non-existent Bollywood movie. This was supposed to be a collaboration between Hosono and illustrator Tadanori Yokoo, but the story goes that during the trip to India that spawned the record, Yokoo had a prolonged and incapacitating bout of digestive woes and the project ended up as solo Hosono, with Yokoo illustrating … Continue reading Haruomi Hosono – Cochin Moon, 1978

25 Favorite Releases of 2017

In the spirit of the season, I wanted to share some of my favorite releases of the year. Obviously not exhaustive; just some personal highlights. Quite a few of these are giant major label releases, so I’ll be taking down those download links quickly or leaving them off accordingly. Let me know if links are … Continue reading 25 Favorite Releases of 2017

Yoshio Ojima – Club, 1983

Another early 80’s anomaly, this one released on only 50 numbered cassettes in wooden boxes with silkscreen and Russian constructivist paper inserts. Ojima is probably best known for his catalog of significant environmental works, most notably the gorgeous 1988 two-album collection for the Spiral in Tokyo’s Wacoal Art Center (volume one of which has been … Continue reading Yoshio Ojima – Club, 1983

Veetdharm Morgan Fisher – Water Music, 1985

Morgan Fisher, a London-born musician and photographer, has had a long and dense career in which he’s covered a lot of ground–both literally and figuratively. You can read about it in detail here, but some highlights include touring with Queen, building an ambient music studio in Japan (at which Water Music was recorded, among others), … Continue reading Veetdharm Morgan Fisher – Water Music, 1985

Yumiko Morioka – Resonance, 1986

Guest post by Matt Nida (London) Sometimes the music tells its own story. I bought Yumiko Morioka’s Resonance last year in Tokyo (on the recommendation of someone who knew I’d been devouring records by the likes of Hiroshi Yoshimura, Toshifumi Hinata, Haruomi Hosono and many other names who’ll be familiar to readers of this blog) knowing nothing … Continue reading Yumiko Morioka – Resonance, 1986

Miyako Koda – Jupiter, 1998

Solo record from Miyako Koda (dip in the pool, Love, Peace & Trance, personal style hero). A bit hard to pin down, as there’s a wide range between tracks, but it all feels very true to Koda’s aesthetic: alternately playful and very sober, shifting readily between straight tone choir-boy-esque vocals and spoken word (spoiler alert: … Continue reading Miyako Koda – Jupiter, 1998