Susan Cadogan – Susan Cadogan, 1976

Sunny, sensual vocal layering from Susan Cadogan, whose voice I can’t get enough of. Apparently this didn’t attract much attention in Jamaica at the time of its release but it did well overseas, especially in the UK. Production from the master Lee “Scratch” Perry (and I think an unusually romantic record for him too). I can’t really think of anyone who wouldn’t love this. Thank you Isabel for the tip!

Note that there are a couple small glitches in this copy–this is the highest quality I could find. If you have a better rip please do send it along. Enjoy!

Brenda Ray – Walatta, 2005

A personal favorite. Brenda Ray rolled around with a handful of musical projects in the UK post punk scene, where she explored African rhythms, dub, hip hop, and electro grooves. After hitting it off with the legendary Roy Cousins in the early 90’s, she helped him remaster and reissue titles from his label, Tamoki Wambesi. Legend has it that it was Cousins’ idea that she make an album using original tapes of Tamoki Wambesi roots reggae tracks. I think this was mostly recorded in the late 90s, released in limited numbers via Tamoki Wambesi, and reissued by Japan’s EM Records (I’m still working our way through their catalog, because holy cow it is good).

Unlike anything else. Responsible for vocals, melodica, keyboards, koto, pixiephone, chimes, claves, bells, cymbal, cowbell, ashtray (?), clavinet, xylophone, cabasa, triangle, idiophone, tambourine, vibraslap, scraper, whistle, recording, and mixing, Ray draped her breathy, 60’s-chanteuse vocals all over her reworkings of some of the best dub and reggae tracks ever made, resulting in what Forced Exposure called “very disturbing slices of psycho-dub/doo-wop/jazz-fusion/exotica music.” Grooving all over Turkey, West Africa, and of course, Jamaica. Alternately shimmery, bossa-nova-flecked, and funky, with appearances by Prince Far I and Knowledge. The sonic equivalent of pink plastic palm trees. A salve for a brutally cold February day. Enjoy!