Tag: bells

Yutaka Hirose – Soundscape 2: Nova, 1986


One of three records funded and released by Misawa Home Corporation for use in their prefabricated houses between 1986 and 1988. (The other two releases are both by Hiroshi Yoshimura; I’ve posted my favorite of the two here.) As with some of the other Japanese minimal records I’ve shared, Nova is an unabashed embrace of, as Spencer of Rootblog phrased it, “the illusion of nature in a hyper-urban environment.” Judicious use of water, insect, and bird field recordings, sparse bells, piano, and synth. Somehow just as evocative of an idealized, imagined natural world as it is of the synthetic, heavily manicured interiors that seek, roundaboutly, to reference nature. Regardless of where this puts you, it’s very good.


Joanna Brouk – The Space Between, 1981


My favorite release from the venerable Joann Brouk, considered one of the founders of New Age music, who studied under Terry Riley and Robert Ashley at the Mills College Center for Contemporary Music, and whose work you’re already familiar with if you’ve listened to the worldbuilding I Am The Center compilation.

Streamlined, super minimal, classically inclined ambient that avoids a lot of the ornamentation and explicit emoting of new age. Just chimes, synth, and piano. Leave it on repeat for a few hours.


[Mix for NTS Radio] Getting Warmer Episode 1


I’m so excited to share my first episode of “Getting Warmer” for NTS Radio. If you like it, you can download an mp3 version here. Enjoy!

Tracklist:
1. Mark Isham – Raffles In Rio 2. Yas-Kaz – The Gate of Breathing (Excerpt) 3. A.r.t. Wilson – Rebecca’s Theme (Water) 4. Double – Naningo (Lexx Edit) 5. Elicoide – Mitochondria (Excerpt) 6. Yoichiro Yoshikawa – Nebraska 7. Salma Agha & Bappi Lahiri – Come Closer (Excerpt) 8. Len Leise – Forlorn Fields 9. Lino Capra Vaccina – Voce In XY 10. Eric Vann (Joel Vandroogenbroeck) – Algues Marines 11. Denny Lather – Timeless 12. Aragon – 家路 13. Dip In The Pool – Silence 14. Ryuichi Sakamoto – Put Your Hands Up 15. Grace Jones – The Crossing (Ooh The Action…) (Edit)

Elicoide – Elicoide, 1987


The first of two releases from the mysterious Franco Nonni (keyboards) and Paolo Grandi (strings). They released a second album in 1990 with a larger ensemble (does anyone have this lying around?), and then Nonni went on to become a psychiatrist (cool reason to break up a band). This seems to get tossed around in progressive rock and jazz circles, though to me it’s neither. I’d call it squarely fourth world (cringe term), with a dip into murky synth drone (“Interludio con Dedica,” “Linfoceti”) and some moments of brassy baroque-isms (title track). For me, the album peaks at its bookends: “Mitochondria” and “Mitosi” are sublime, drawn-out meditations that build and bubble, leaning heavily on what sounds like a synthetic gamelan ensemble and smoothed out around the edges with strings. Ideal for fans of Jon Hassell, Yas-Kaz, and Hosono’s more ambient works. If it’s for you, it’s definitely for you.


Yoichiro Yoshikawa – The Miracle Planet OST, 1987


As evocative and expansive as any soundtrack can hope to be. From what I gather, there have been two runs of The Miracle Planet (Chikyu Dai Kikou) series–one in 1987 and one in 2005, both co-produced by Japan’s NHK broadcasting corporation; although there’s very little information available about the earlier series. Technically, this release is a 1988 compilation which includes tracks from two of Yoshikawa’s other releases (including the instantly relatable “Nebraska,” which sounds as if it was heavily inspired by the Merry Christmas Mr. Lawrence soundtrack. I’m always grateful for the full hour of music, so I’m including it as is).

Silvery synth pads, sleek pop arrangements, plump and wet percussion, traditional Japanese drumming, sentimental orchestral arrangements, and a few forays into fourth worldy nostalgia. I can’t say enough nice things about this. Ideal for fans of Yas-Kaz, Geinoh Yamashirogumi, Joe Hisaishi, and Hiroshi Yoshimura.


Don Slepian – Sea of Bliss, 1983


Classic, extraordinarily detailed synth swirl heaven. Snowglobe music. Not too much to say about this one, except that all three of these tracks were composed over the course of two days in February of 1980 and were reworked once for the Sea of Bliss cassette release and then again in 2000 for its CD release, this time with the inclusion of “Sonic Perfume” (included here).

From Don’s notes about the CD release:

Computer music was born back in 1958 in Max Mathew’s sound lab, at what was then the Bell Telephone Labs research center in Murray Hill, New Jersey. From 1979 through 1981, I was “Artist In Residence” at the Labs. Most of my time then was spent working with the Bell Labs Digital Synthesizer, also known as the Alles Machine (pronounced “Alice”), named after its designer Hal Alles. The Alles Machine was disassembled in 1981, with Sea of Bliss the only full length piece of music ever realized on it. Using that machine, the three pieces that make up Sea of Bliss were composed, performed and recorded February 3–4, 1980 and released on cassette. I revised these tracks in the year 2000 for the first CD release, adding a few touches of acoustic piano. Sea of Bliss may change one’s state of consciousness. People have often used it for meditation and massage. In hospitals, it has been used during labor and childbirth as a sonic analgesic. In the car it combats rush hour/traffic stress. I consider it a form of aural fragrance, or “Sonic Perfume”…Stochastic sequential permutations (the high bell tones), lots of real time algorithmic work, but who cares? It’s pretty music. No sequels, no formulas. It was handmade computer music.

There’s some more technical information about the recording here, as well as a nice writeup about Don’s work here.