[Mix for NTS Radio] Getting Warmer Episode 23

Here’s my most recent episode of Getting Warmer for NTS Radio. If it isn’t painfully obvious, I recently revisited the 1993 version of The Secret Garden, something I watched obsessively as a kid. This time I was struck by its gorgeous soundtrack, the moody world it lives in, its textural depth, and, as is often the case with my childhood movies, its easy elision of colonialism. This mix is about the pastoral, in the British countryside sense but also seeing the pastoral elsewhere. It’s about the projection and fantasy of exotica, musical migration as a result of colonialism, escapism, and essentialism; and is somewhat of a continuation of this mix. It’s also full of birds, bells, and field recordings, because it’s spring, sort of. You can download an mp3 version here. Thanks for listening!

Tracklisting:
1. Fernando Falcão – Revoada
2. Jean C. Roché / Birds – Palmar
3. Toshifumi Hinata – Fire And Forever
4. Mecano – Hawaii-Bombay
5. Per Tjernberg – They Call Me
6. Zbigniew Preisner – First Time Outside
7. Francis Bebey – Forest Nativity
8. Virginia Astley – Sanctus
9. Kudsi Erguner & Xavier Bellenger – Rahat-Ul-Ervah: Le Repos Des Esprits
10. Virginia Astley – From Gardens Where We Feel Secure
11. Kelan Phil Cohran & Legacy – White Nile
12. Ustad Ali Akbar Khan, Yvette Mimieux & Charles Baudelaire – To A Passer-By
13. Raul Lovisoni – Hula Om
14. Bridget St. John – Ask Me No Questions

10 thoughts on “[Mix for NTS Radio] Getting Warmer Episode 23”

  1. Same about the Secret Garden and the re-watch ! Zbiegnew Preisner is amazing, I also love his Trois Coleurs Kieslowski soundtracks.
    Wanna come over for dinner? xx

  2. Damn Jen! I watched this movie a few days ago. Warmed my heart like this beautiful spring we’re having. And immediately ordered the soundtrack. Greets from the sonic gardens of Bavaria.

  3. my girlfriend and I watched this movie over Christmas. (I had thought I’d seen it already, when it came out, but it turns out I’d seen a mid-70s British miniseries adapted from the same book that PBS replayed in the 80s.)
    did you notice the opening images are uncannily similar to those of THE BLACK STALLION? beyond that, there are similarities in the dense sound design and rich visual style. it’s all too close to be a coincidence; I can only assume it’s the doings of Francis Ford Coppola, who is infamous for meddling in the films he produces.
    btw if you are attracted to English pastoralism, one of the purest and most powerful expressions of it is the Archers’ film A CANTERBURY TALE.

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