Morgan Fisher, a London-born musician and photographer, has had a long and dense career in which he’s covered a lot of ground–both literally and figuratively. You can read about it in detail here, but some highlights include touring with Queen, building an ambient music studio in Japan (at which Water Music was recorded, among others), and working with Hosono, dip in the pool (he plays piano on “Dormir”), Roedelius, Yoko Ono, Yasuaki Shimizu, and Julee Cruise. He is still very active.
It seems that he’s acquired many names over the course of his life, and I can’t find any information about the origin of Veetdharm, under which this and a few of his other releases are listed on Discogs, but my guess would be that it was given to him either during his time living in India or in Medina Rajneesh, a Suffolk commune of Osho disciples housed in a giant mock-Tudor manor.
Water Music is immediately reminiscent of Yoshimura’s Surround, though it predates it by a year. If anything, it’s slightly denser and more piano-driven, but aside from an obvious thematic interest in water, the two records share a delicacy and a proclivity towards synth pads that seem to evaporate rather than decay. As I understand it, the entirety of this record was improvised and recorded over the course of two days on synthesizer, piano, tape delays, bowed guitar, and shell chimes. The original was released on the legendary Cherry Red label; this extended version is from a CD-reissue released in, I believe, 1997. It’s very, very beautiful. Thank you, Ian, for bringing me here!